HILLARY WESTON

New York City-based Film and Culture
writer. Assistant Editor of BlackBook Magazine. Editorial Director of the BlackBook Tumblr. Diner-dwelling David Lynch enthusiast.
Tony Kaye and Adrien Brody make a perfect coupling: an acclaimed Oscar-winner known for taking on difficult and harrowing roles and one of Hollywood’s most controversial directors who makes films that not only brutally inform but possess. With their new film, Detachment, they both prove their immense strength in their craft, creating a powerful film that challenges one’s emotional strength and enlightens. The film tells the story of Henry Barthes, a downtrodden substitute teacher who takes a temporary position at a high school in shambles. Barthes, a somber man plagued by flashbacks of his mother’s suicide, is an empathetic and gifted teacher, desperately trying to connect to his students while dealing with his dying grandfather and the teenage prostitute he’s taken in. Shot by Kaye himself, the film cuts between the narrative, interviews with Barthes, and morose animated blackboard drawings used to illustrate everyone’s darker urges. It’s a scathing portrayal of the public school system as well as one man’s story to find meaning in a vicious world. We caught up with Brody and Kaye to find out what drew them to this film, their shared desire for a deeper sense of entertainment, and the state of Hollywood today.

Adrien Brody and Tony Kaye Discuss Their New Film ‘Detachment’

Tony Kaye and Adrien Brody make a perfect coupling: an acclaimed Oscar-winner known for taking on difficult and harrowing roles and one of Hollywood’s most controversial directors who makes films that not only brutally inform but possess. With their new film, Detachment, they both prove their immense strength in their craft, creating a powerful film that challenges one’s emotional strength and enlightens. The film tells the story of Henry Barthes, a downtrodden substitute teacher who takes a temporary position at a high school in shambles. Barthes, a somber man plagued by flashbacks of his mother’s suicide, is an empathetic and gifted teacher, desperately trying to connect to his students while dealing with his dying grandfather and the teenage prostitute he’s taken in. Shot by Kaye himself, the film cuts between the narrative, interviews with Barthes, and morose animated blackboard drawings used to illustrate everyone’s darker urges. It’s a scathing portrayal of the public school system as well as one man’s story to find meaning in a vicious world. We caught up with Brody and Kaye to find out what drew them to this film, their shared desire for a deeper sense of entertainment, and the state of Hollywood today.

Adrien Brody and Tony Kaye Discuss Their New Film ‘Detachment’

(via bbook)

  1. adiaryofbeautifulthings reblogged this from oneloverofthelight
  2. layynuhh reblogged this from bbook and added:
    SUCH A GOOD MOVIE..HUUUUGE twist in it!
  3. playitformadeline reblogged this from bbook
  4. gunshotsofnutella reblogged this from oldfilmsflicker
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  11. jerkyourmind reblogged this from flavorpill and added:
    cant wait to see
  12. invitemetoyourmemories reblogged this from oldfilmsflicker and added:
    I want to see this as well.
  13. idleender reblogged this from bbook
  14. arthousejunkie reblogged this from oldfilmsflicker
  15. askthebear reblogged this from bbook and added:
    i am excited for this movie
  16. lafraudebelle reblogged this from drewclouse and added:
    i actually saw this at tribeca last year. it made me hopeful that adrien brody would go back to making films and not...
  17. drewclouse reblogged this from bbook
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  19. snarkyphilosopher reblogged this from bbook and added:
    Detachment Adrien Brody Breath taking